The industry robbed every city differently.
We kept files.
Pick the service. Pick the city. Read what the machine did there, what it cost you, and exactly what PLTFRM built to answer it. The majors get their own scene files. Everywhere else gets the same infrastructure anyway — that’s the point.
The Docket
Eight case files. One verdict.
Music Distribution
Every artist in your city uploading through a distributor today is renting shelf space in a store that pays a fraction of a fraction of a ce…
For ArtistsMusic Publishing
Somewhere between the hundreds of PROs on earth and a misspelled credit, royalties earned by your state songwriters are sitting in pools, ag…
For ArtistsBrand Deals for Artists
Brand money is how major-label artists eat between releases. Independent artists in your city were never even shown the menu — because the i…
For ArtistsSync Licensing
TV placements, film scores, commercial licensing — some of the highest-value revenue in music, gated behind relationships no independent art…
For ArtistsArtist Development
The industry replaced artist development with a content treadmill and called it opportunity. Post daily, chase the algorithm, pray. Meanwhil…
For ArtistsMusic Marketing
Playlist placement, editorial consideration, algorithmic surface — all of it tilts toward whoever brought a placement budget. Quality was ne…
For ArtistsRecording & Production
Studio time, production, mixing, mastering — the industry made the cost of sounding professional the moat around its castle. Then it offered…
For BusinessMusic for Business
Restaurants. Retail. Gyms. Hotels. Barbershops. The physical world runs on shuffle, the artists get nothing they can see, and no brand can r…
The Majors — scene files on the record